Complete List of Cancer Sabian Symbols

Complete List of Cancer Sabian Symbols

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PHASE 91 (CANCER 1°):  ON A SHIP THE SAILORS LOWER AN OLD FLAG AND RAISE A NEW ONE.

KEYNOTE: A radical change of allegiance exteriorized in a symbolical act: a point of no return.

We have now reached a square (go-degree angle) to the beginning of the cyclic process. This is a moment of crisis, a sharp turning point. In the zodiacal cycle, at the summer solstice the northward motion of the sun (in “decimation”) stops; the sun rises and sets as far north of exact east and west as it can during the year-cycle. Its motion is now reversed. Slowly the sunset points move southward on the western horizon, and the length of the day decreases. In the lunation cycle (from New Moon to New Moon) this is the First Quarter phase. On the “ship” which symbolizes the ego-consciousness floating, as it were, on the sea of the vast Unconscious, the individualized will makes a basic decision. The dominant Yang force allows the Yin force to begin its six-month long rise to power. The “collective” will gradually overcomes the “individual,” and at the end the state will overpower the person. Now, however, the individual person enjoys his most glorious hour; he exults in his ability to make a “free decision”- i.e. to act as an individual who selects his life goal and his allegiance.

This is the first stage in the nineteenth five-fold series of degree symbols. In a decisive act heavy with consequences, the symbolic college youth might realize that he should bring to an end his quest for the ideal companion and enter into matrimony. He assents to the possibility of progeny, of home responsibility. His consciousness accepts a process of fundamental REORIENTATION, implying the stabilization of his energies.


PHASE 92 (CANCER 2°): A MAN ON A MAGIC CARPET HOVERS OVER A LARGE AREA OF LAND.

KEYNOTE: The ability to expand one’s consciousness by stabilizing one’s point of view at a higher level.

This is the paradox which confuses so many minds. As long as the intellect restlessly searches for new horizons it is confused by its searching. Accepting a stable focus, the mind can raise its point of observation and see reality in a truer perspective. The individual becomes the whole focused at this particular point for a particular task and function. He can at least reflect the consciousness of the greater Whole, Humanity.

   This second stage symbol establishes a contrast between a stabilizing new allegiance which limits the will, and the capacity to envision life from a wider perspective, thanks to which many lives are seen to converge upon the raised consciousness. At this stage one realizes that by giving up an indefinite search for two-dimensional extension, one gains ELEVATION in the third dimension of consciousness.


PHASE 93 (CANCER 3°): A MAN BUNDLED IN FUR LEADS A SHAGGY DEER.

KEYNOTE: The need to overcome stagnation and “cold” during trial of endurance.

This rather enigmatic symbol has suggested an exploration in arctic regions; but it seems more relevant to see in it simply the difficult phase imposed by the new allegiance upon the reoriented consciousness. In India the deer was the symbol of Brahma, the Creative God. The antlers represent the extension of the mind-power located in the head. The new path may lead to cold regions requiring insulation from harsh circumstances. There may even be a desire to escape from new responsibilities. The will leads the mind on toward the spiritual North of the soul.

This is the third stage in the nineteenth five-fold sequence. A period of trials is implied. The focalized mind may seek to escape its limits by venturing forth toward an idealized goal — the North Star, perhaps. This represents A TESTING OF THE WILL.


PHASE 94 (CANCER 4°): A CAT ARGUING WITH A MOUSE.

KEYNOTE: An attempt at self-justification.

We are still involved in the results of an act which brought about a radical reorientation of one’s life. The drives of the bio-psychic organism are still not easily conquered. A multitude of lesser decisions inevitably follows the big and grand gestures of repudiation and realignment. The desires of the body still drown the voice of the “new man.” One argues with oneself, hoping to convince oneself that the old impulses are still legitimate.

At this fourth stage of the five-fold sequence hesitancy and conflicting motives are still inevitable. The mind is very clever at not facing the consequences which follow from desires or even from restlessness. Attempts at RATIONALIZATION are experienced and should be understood.


PHASE 95 (CANCER 5°): AT A RAILROAD CROSSING, AN AUTOMOBILE IS WRECKED BY A TRAIN.

KEYNOTE: The tragic results which are likely to occur when the individual’s will pits itself carelessly against the power of the collective will of society.

The automobile symbolizes the individualized consciousness eager to pursue its own course of action regardless of how it may conflict with the collective consciousness of the community (the train). The symbol implies that at this early stage of the new process which began with this seventh scene, all such individual and relatively anarchistic or law-defying attempts are bound to fail. The driver may live, but his car will be wrecked.

Lest we consider this phase totally negative, we should realize that most of the time man learns his lessons through relatively destructive experiences – the via negativa of the mystic, or even the strange occult concept expounded in some sects of “salvation through sin.” One may speak here more generally of KARMIC READJUSTMENT. This will become evident as the next five-fold sequence is considered.


PHASE 96 (CANCER 6°):  GAME BIRDS FEATHERING THEIR NESTS.

KEYNOTE: An instinctual dedication of self to new forms of life.

The original symbol (which was subsequently altered) spoke here of “game birds”; thus we deal with spiritual forces (birds) placed within a social context. As in the symbol for Cancer 1° we see here the beginning of a process; action is definitely oriented toward the future. A new wave of life is starting and a concrete – and no longer symbolical – preparation is made for it. At a social level – we can speak of the pioneering efforts dedicated to the building of a new culture, new institutions.

This is the first stage of the twentieth five-fold sequence. It reveals a preparation for rebirth, and a significant note is sounded by the mention of game birds. What is being built is instinctively – but not yet consciously – offered to a higher level of consciousness. The young-to-be are potential sacrifices to feed human beings. Just as tribal men sacrificed virgins to satisfy the gods. Already the meaning of the second half of the cycle (the first degree of Libra, for instance) is implied, just as the entire social process is implied in the formalism of the marriage ceremony. An appropriate key would be SYMBIOSIS, i.e. a deep unconscious cooperation between different levels of existence, the “animal” level producing lives for the sake of the “human.”


PHASE 97 (CANCER 7°): TWO NATURE SPIRITS DANCING UNDER THE MOONLIGHT.

KEYNOTE: The play of invisible forces in all manifestations of life.

To the clairvoyant who visualized these symbolic scenes, the nature spirits (or fairies) most likely were thought of as more or less imaginary or ideal creations. At least they were linked with hidden and mysterious processes in nature, and the “moonlight” emphasizes this otherworldly or elusive character. Thus a contrast is implied between this character and the concrete and material process of building a nest for a physical progeny. The basic concept is that behind all vital processes one can perceive occult forces at work. They operate within a realm often called “astral” or “etheric”; and the moon has a deep influence upon that realm, releasing special solar rays of occult potency.

This is the second stage of the twentieth sequence. It contrasts the invisible with the visible, the inner with the outer, the dream and the ideal with everyday reality. In a sense this refers to man’s CREATIVE IMAGINATION.


PHASE 98 (CANCER 8°): A GROUP OF RABBITS DRESSED IN HUMAN CLOTHES WALK AS IF ON PARADE.

KEYNOTE: The tendency in all forms of life to imitate higher forms as a stimulus to growth.

This rather strange symbol points to what is essential in all first attempts at developing consciousness and furthering and furthering one’s growth through association with those who have already reached a superior evolutionary or mental level. Every seeker looks for an “Exemplar.” The religious mystic speaks of “the Imitation of Christ.” In Japan the music student sits in front of his teacher playing an instrument, and carefully imitates his every gesture.

At this third stage of the five-fold sequence we see at work the basic features at the start of all LEARNING PROCESSES. At the next stage we will watch a more advanced, more typically human quest for knowledge.


PHASE 99 (CANCER 9°): A SMALL, NAKED GIRL BENDS OVER A POND TRYING TO CATCH A FISH.

KEYNOTE: The first naïve quest for knowledge and for an ever-elusive understanding of life.

The “small, naked girl” symbolizes the innocent and spontaneous mind, as yet unclothed in cultural patterns and unrestrained by don’t trying to satisfy its curiosity about what seems mysterious and fleeting. In a sense the pond is the infant’s mind with a very limited scope of consciousness, yet eagerly reaching out to catch the swift and elusive first realizations of the meaning of life.

At this fourth stage we are confronted with the nascent curiosity about knowledge, a curiosity which makes the little mind reach out in spontaneity, rather than merely imitate the elders. Whenever a person is confronted with this symbol he or she should realize that there is much value indeed in simply reaching out with a pure and unconditioned mind to the most elementary experiences which natural life offers to us. The key here is PURITY IN UNDERSTANDING.


PHASE 100 (CANCER 10°): A LARGE DIAMOND IN THE FIRST STAGES OF THE CUTTING PROCESS.

KEYNOTE: The arduous training for perfection in order to fully manifest an ideal.

We are still dealing with the evolution of consciousness and of personality at a preliminary stage. The potentiality of a completely formed mind through which the light of understanding will shine brightly is already in evidence, but much work is still to be done. We may meditate upon the transformation of the “pond of water” (in the preceding symbol) into a diamond not yet cut. The conscious mind must acquire solidity so it can be worked on by higher agencies – ideally by the teachers of the community. It no doubt must be a painful operation for the rough stone, but the goal is worth the suffering, the heat, the grinding noise…provided of course the diamond cutter is an expert craftsman – a rare case among teachers!

At this last stage of the five-fold sequence we once more deal with an operation which when completed will acquire a social value. When fully grown, the game bird” (first stage) may satisfy a hungry stomach; once cut to perfection, the “diamond” may fill a woman with pride. As Keyword we suggest CRAFTSMANSHIP, here meaning especially the training for perfection.


PHASE 101 (CANCER 11°): A CLOWN CARICATURING WELL-KNOW PERSONALITIES.

KEYNOTE: The value of humor in developing objectivity and independence of mind.

Humor and irony is a powerful tool in assessing the value of socio-cultural realities, and thereby in freeing oneself from glamour and prejudice. Laughter deconditions and often paves the way to a realization that we need not be unduly impressed by what our tradition has more or less forced upon our consciousness. The clown, of course, is the more popular manifestation of this urge to laugh, which seems to be such a basic characteristic of human nature. Caricature and satire are more intellectual forms of the same need for intellectual freedom.

In this twenty-first five fold sequence we witness the development of true individuality in man. And the first step is a cathartic one – the ability to laugh, which includes the ability to laugh at ones own petty habits and mannerisms – indeed, at one’s pomposity. It is a DECONDITIONING step.


PHASE 102 (CANCER 12°): A CHINESE WOMAN NURSING A BABY WHOSE AURA REVEALS HIM TO BE THE REINCARNATION OF A GREAT TEACHER.

KEYNOTE: The revelation of latent worth in an experience once it is seen in its deeper meaning.

In contrast to the “clown” symbol, which shows us man’s capacity to criticize and laugh at his superficial mannerisms and automatic habits or gestures, we now have a symbol which demands that we look beyond common appearances and try to discover the “occult” (i.e. hidden) character of every person and every experience.  This symbol has been unduly glamorized: there is no particular reference here to an avatar or messiah, except in the sense that every man is potentially the avatar or manifestation of a Soul that has a definite and relatively unique function in the vast field of activity we call the Earth. To discover this occult potential of being, one requires a deeper or higher “vision,” a holistic perception — which is usually, but not always justifiably, called clairvoyance. The caricaturist also has to develop a special kind of “seeing” to enable him to extract the salient features of an outerpersonality or of a face. He picks out the most characteristic parts of a whole; the true clairvoyant perceives the essential meaning (or “message” and function) of the whole.

The contrast between the first and second symbols of this twenty-first five-fold sequence is indeed very significant. There may be no particular meaning in the fact that the nursing woman in this symbol is Chinese. Perhaps the psychic who visualized the scene may have mistaken a Tibetan for a Chinese woman, and unconsciously thought of the rather familiar process through which a new Dalai Lama, or other great Lamas, are searched for among newborn babies. The Keyword is REVELATION.


PHASE 103 (CANCER 13°): A HAND WITH A PROMINENT THUMB IS HELD OUT FOR STUDY.

KEYNOTE: The power of the will in shaping character.

Here again we see how a personal characteristic reveals what is behind it psychologically and spiritually. The thumb in palmistry signifies the will; a very rigid thumb shows an unbending will; a more flexible one, a more pliable individual. In the original formulation of the symbol the “hand” was said to be “slightly flexed” which may be taken to suggest a more flexible character. Nevertheless, the basic meaning is that individuality can only express itself through a strong character. Whenever this symbol confronts a person or a situation it is shown that a strong will is required to face the issue at stake.

This is the third stage in the twenty-first five-fold sequence, and the Keyword is CHARACTER.


PHASE 104 (CANCER 14°): A VERY OLD MAN FACING A VAST DARK SPACE TO THE NORTHEAST.

KEYNOTE: Fulfillment in transcending and changeless wisdom.

This symbol describes the Wise Old Man, an archetypal figure found in all systems of symbolism. In occult terminology the northeast is the direction from which spiritual-cosmic forces enter the Earth-sphere. This is probably because the polar axis of the Earth is inclined by some 23 degrees away from the exact perpendicular to the plane of its orbit. Thus the actual pole of our globe not only differs from the permanent pole of the Earth’s orbit, but constantly changes its direction, successively pointing to several large “circumpolar” stars during the so-called processional cycle (or “tropical year,” or Great Polar Cycle), which lasts somewhat less than 26,000 years. Because of this inclination of the polar axis, we have the phenomenon of seasonal change. Supposedly during the early Golden Age no such change occurred; a “perpetual spring” reigned. This is the (traditionally) spiritual state. The Wise Old Man faces the Changeless Reality, the true North —- which for us is located in a northeast direction. He faces the great Void, that apparent Darkness which is an intense Light invisible to our senses.

As this is a fourth stage symbol in the five-fold sequence, there is as usual a hint of technique. Implied is that by consistently and for a long time meditating on the changeless and spiritual reality at the very core of all experiences one can attain the supreme and age-old wisdom. We see in the symbol a way beyond appearances and toward PERMANENCE IN TRUTH.


PHASE 105 (CANCER 15°): IN A SUMPTUOUS DINING HALL GUESTS RELAX AFTER PARTAKING OF A HUGE BANQUET.

KEYNOTE: The need that exists at an early stage of human growth to materialize the concept of fulfillment.

This may be considered a curious symbolic scene following the preceding, for it pictures a scene of fulfillment – consciously or unconsciously – only in terms reminiscent of the Mohammedan picture of paradise, a place filled with all the good things earthly life provided, only more sparsely. It may also be that the symbol is a reference to the fact that what in European countries is seen rather broadly and spiritually as ‘plenitude of being’ is usually related in the United States to the idea of ‘plenty’. We are hypnotized today by the ideal of physical abundance. Perhaps physical abundance is less mind-haunting than deprivation, and there may at times be a need to ‘turn to superficial things for self-strengthening’. This is the via negativa (negative way) already mentioned. Through satiety a person learns to appreciate and desire asceticism; after months of boredom the modern teenager in an ultramodern ‘progressive’ school is often ready to accept disciplined work.

This is the last of the five symbols in the twenty-first sequence. It ends this part of the quest for individuality and the process of ‘decision’ – making on a note which indicates a phase of only temporary fulfillment. The darkness in the northeast may have been too much for the consciousness at this stage of the great cycle. The mind yearns to translate what it has seen in purely physical terms. This is perhaps the keynote of American life: the MATERIALIZATION OF THE SPIRITUAL.


PHASE 106 (CANCER 16°):  A MAN STUDYING A MANDALA IN FRONT OF HIM, WITH THE HELP OF A VERY ANCIENT BOOK.

KEYNOTE: A deep concern with problems raised by the process of personality integration.

After a person decides to follow a certain course of action, accepting a new allegiance, the results of this decision at the three basic levels of human experience (actional, emotional-cultural and individual-mental) have to be stabilized and consolidated.

This is what is meant by the process of personality integration. In Asia the great symbol of this process is the Mandala; in the Christian world we find, in various forms, the symbol of the Cross. The Christian design is often simple and bare; it is its reference to the crucifixion of a God-man that personalizes or emotionalizes it. The Oriental Mandala can take an infinite variety of forms and can encompass a vast multiplicity of contents; it is psychological and cosmic. The square – the foundation of the Mandala – potentially encloses diverse contents. The Cross, on the other hand, represents conflict in action; it is a symbol of tragic overcoming. The Mandala symbolizes integration of opposing trends and multiple bipolar energies.

This is the first stage of the twenty-second five-fold sequence. It reveals a deep effort on the part of the individualized consciousness to reach a solid basis of understanding that will allow it to perceive the structural relationship of every part of the personality to every other part. It is a mental process implying study and an inward-turning of the attention, CONCENTRATION; even more it is a symbol of what might at first be called CONFORMATION — that is, a profound and stabilizing sense of form, but of one’s own individual form, not an external socio-cultural pattern.


PHASE 107 (CANCER 17°): THE UNFOLDMENT OF MULTILEVEL POTENTIALITIES ISSUING FROM AN ORIGINAL GERM.

KEYNOTE: The life urge to actualize one’s birth potential.

What is pictured here is simply the process of germination. As it unfolds from the sundered seed the plant pierces the crust of the soil and reaches up toward the light. This is a dynamic process turned outward, in contrast to the more static or introspective process of integration-through- understanding depicted in the preceding symbol.

Germination is the crucifixion of the seed. The seed becomes the germ, just as the Tibetan student meditating silently and peacefully on the Mandala is followed by the Christian Crusader – and, at a materialistic level of productivity, by the engineer-technologist intent upon transforming the globe for the greatest possible enjoyment of the greatest possible number of human beings.

As usual, the second stage of the five-fold sequence establishes a contrast with the first. Action polarizes meditation. The expanding process of self-actualization — which may mean nothing more than ego-expansion through conquest — contrasts with the introspective study of the structural relationship between, and the meaning of, the various energies and potentialities of one’s nature (svarupa in Sanskrit). The Keyword is GROWTH.


PHASE 108 (CANCER 18°): A HEN SCRATCHING THE GROUND TO FIND NOURISHMENT FOR HER PROGENY.

KEYNOTE: The practical concern with everyday nourishment necessary to sustain one’s outreaching activities.

Every mother is originally responsible for the feeding of her progeny, and all the activities into which a person has poured his energy are his symbolic children. He has to feed them with social substance gathered from “the ground” of his community, and to watch with concern over their unfoldment. The tender stem consolidates into the tree trunk, the chicken into the hen, the infant into the theoretically self-reliant and socially wise adult.

This third stage of the twenty-second five-fold sequence shows the results of the two previous stages. Seed, germ and the growing plant requiring the chemicals of the soil for its daily growth form a clear sequence. What is at stake here is the FULFILLING OF LIFE’S RESPONSIBILITIES.


PHASE 109 (CANCER 19°): A PRIEST PERFORMING A MARRIAGE CEREMONY.

KEYNOTE: The ritualization of productive interpersonal relationships.

This scene symbolizes the profound need for referring the interplay and the relatively permanent and productive union of all polarities to some third factor which either includes, or transcends and gives spiritual meaning to, the relationship. A conjugal union is essentially and traditionally the union of a man and a woman for the sake of producing progeny able to perpetuate the racial type, the family tradition and the way of life of a particular culture (or “subculture”), including a set of religious beliefs. The married couple is the basic productive unit in our society – as it has been for millennia in all patriarchal societies. The purpose of any established religion (including tribal cults) is to glorify, sanction and bless with a super-personal meaning all personal and interpersonal activities. This occurs through the “sacraments,” and indeed through most religious rites.

At this fourth stage of the five-fold sequence we are given the basic technique used in all processes of effectual social or group integration. It is the technique which takes the form of sociocultural, and thus business or religious, ritualization. Through this technique commonplace individual endeavors acquire SANCTION; that is, they are ritualized and indeed “sanctified.”


PHASE 110 (CANCER 20°): VENETIAN GONDOLIERS GIVING A SERENADE.

KEYNOTE: Happiness as an overtone of social integration and conformity to custom.

Venice can be considered the symbol of a social consciousness risen directly from the unconscious urges of human nature — because the city emerged out of the sea, just as the lotus flower floats on top of the lake, its roots implanted in the bottom mud. The serenading gondoliers “float” over the water, their songs raised to the balconies where the “flower” of consciousness, the beloved, may make her appearance. This play of basic human drives toward acceptance by the consciousness housed in the structures of the ego is performed according to social tradition. Everything plays its part, and man experiences social happiness and a sense of fulfillment.

This is the fifth of the twenty-second sequence of five symbols. The urge for individual integration represented in the first — integration through meditation on ancient traditional forms — is now reflected in the drive for social integration through the elegant and standardized play of acceptable emotions. The Keyword might be FESTIVITY.


PHASE 111 (CANCER 21°): A FAMOUS SINGER IS PROVING HER VIRTUOSITY DURING AN OPERATIC PERFORMANCE.

KEYNOTE: The emotional reward accompanying cultural excellence.

If anything represents the type of response that a well-developed society gives to the individual who successfully pours their energy into the skillful externalization of the great images of its culture, it is the opera. The operatic prima donna is not merely a lonely performer, like the piano virtuoso (Gemini 13°); he or she is the star in a collective effort. The opera is not only music, but a story, a mythos, which embodies some of the most basic images and emotions characterizing the culture that gave it birth. Euro-American  culture  is  indeed  extolled — or  condemned — by its operas and their lurid and tragic passions. It is interesting to compare the opera with the equivalent type of social performances and their topics in India, Java or Tibet.

At this first stage of the twenty-third five-fold sequence of cyclic phases we find the drive toward individualization by means of concrete forms of cultural activity glorified in social and financial success. In its deepest sense the symbol refers to THE PRICE OF SUCCESS — for the individual, as well for as the collectivity acclaiming him or her. What is success really worth? A question few people ask.


PHASE 112 (CANCER 22°): A YOUNG WOMAN AWAITING A SAILBOAT.

KEYNOTE: The longing for transcendent happiness in the soul opened to great dreams.

Here the symbol pictures the imaginative youthful person who basically cannot be satisfied with what his or her ordinary social environment offers, and who instead is longing for the unknown visitation of which he or she has dreamed. From the unconscious beyond, the concretization of a spiritual image — spiritual because impelled by the “wind” (pneuma, spirit) — is hoped for and expected. The Beloved may come — not in a glittering opera house, but in the silence of the inner sea of consciousness.

At this second stage of this five-fold sequence the contrast with the first is strongly marked. Will the great dream become concrete? Will the emotion ready to well up in response to the Advent have its chance? Will the EXPECTANCY of the Eternal Feminine be rewarded with reality?


PHASE 113 (CANCER 23°): THE MEETING OF A LITERARY SOCIETY.

KEYNOTE: An objective and critical approach to the common factors in our culture and to its psychological problems.

The poets, novelists and critics of a society represent the endeavor by especially sensitive and intellectually gifted individuals  to  give  form and  meaning  to  the most  characteristic situations and interpersonal relationships of their society and culture. They mirror society and at the same time influence and guide its development. It is their function to discuss the significance of what is, and to image what might be. They are both barometers and thermostats, reflectors and projectors of as yet mostly unconscious images.

With this third stage we reach the level of INTELLECTUALIZATION. Here the individual operates both as an objective mind and an emotional participant in the events and hopes of his day. He makes concrete what to most people may be only a subconscious aspiration or urge.


PHASE 114 (CANCER 24°): A WOMAN AND TWO MEN CASTAWAYS ON A SMALL ISLAND OF THE SOUTH SEAS.

KEYNOTE: The focalization of complex inner potentialities in harmonic and concrete relationships.

We are dealing here with a special phase of the process of integration. The woman and the two men represent the three-fold aspect of the human personality, particularly at this stage when one of these aspects — the emotional life (the woman) — is facing the possibility, if not the inevitability, of relating itself to both the spiritual and the mental. This confrontation occurs on a small island of the South Seas, and “south” always refers symbolically to the strong and passionate impulses of human nature. Somehow the three-fold consciousness has to develop a harmonious and well-integrated modus vivendi (a specific way of life). If successful, this will release powerful energies and will lead to the next symbolic scene.

We have reached the fourth stage of the twenty-third five-fold sequence. As is most often the case, we are introduced here to a specific technique — or at least to a problem of technique — in living. The three human beings should become integrated; but the form this integration will take seems left open. It has to be a concrete type of integration in terms of the emotional and biological drives of human nature (an island of the South Seas) and the field of integration is “small.” The key to the problem of relationship should be the realization of INTER-DEPENDENCE.


PHASE 115 (CANCER 25°): A WILL-FULL MAN IS OVERSHADOWED BY A DESCENT OF SUPERIOR POWER.

KEYNOTE: The response of spiritual forces to the integration of personality through positive will-full endeavors.

We are dealing here with a man who uses his will and positive imagination in facing his life problems. To him comes a pentecostal descent of power. He receives the “mantle of power,” the grace (baraka in Sufi philosophy) or the Providential assistance which can make him a true leader in his culture.

In this fifth symbol we witness a more transcendent expression of “success.” It is not merely external success (as is given by society to its prima donnas), but a spiritual response, a sign of inner strength and uncommon ENDOWMENT.


PHASE 116 (CANCER 26°): GUESTS ARE READING IN THE LIBRARY OF A LUXURIOUS HOME.

KEYNOTE: The transference of social privilege to the level of intellectual enjoyment.

We now see the concretization of cultural excellence and wealth at the level at which individuals can exercise their developed mental capacities in comfort. The process is individualized because the library belongs to a private residence, the luxury of which implies an individual’s concentration upon the acquisition of wealth. This scene shows the result of such a concentration, including the acquisition of friends who can relax in and enjoy intellectual pursuits.

This is the first phase of the twenty-fourth five-fold sequence which here begins, and will end, on a note of social opulence and prestige. We are not dealing now with leaders in the intellectual community, but with wealthy guests who apparently seek to improve their minds or to keep up with intellectual trends of the time, thus maintaining CLASS STANDARDS OF INFORMATION. What is at stake here is the need to conform to the requirements of one’s social status.


PHASE 117 (CANCER 27°): A VIOLENT STORM IN A CANYON FILLED WITH EXPENSIVE HOMES.

KEYNOTE: A confrontation with a social upheaval demanding the reconsideration of static values.

The deeper implications of the scene depicted in the symbol are that the socio-cultural elite can always see its position and security challenged by forces beyond its control, even if it may be successful in protecting itself from destruction. The individual may not be able to depend on the standards and values he has acquired through education and through a relatively sheltered and rich life. He has to rise to the occasion, and perhaps to undergo an inner metamorphosis as a result of the crisis he has been able to accept as a personal challenge.

The contrast between the two first phases of this twenty-fourth sequence is evident: peace in luxury and intellectual development in terms of collective cultural values (reading books), then the challenge to meet a crisis situation produced by uncontrollable karmic forces that could lead to a successful CATHARSIS.


PHASE 118 (CANCER 28°): AN INDIAN GIRL INTRODUCES HER WHITE LOVER TO HER ASSEMBLED TRIBE.

KEYNOTE: Inner rebirth through a total acceptance of the primordial values manifest in the human body and its natural functions.

Even as this symbol was formulated in the clairvoyant’s mind, a few individuals belonging to the American intelligentsia were trying to find in their absorption into the culture of the Indian pueblos of the Southwest a solution to their intellectual artificiality and personal emotional emptiness. Fifty years later this process has gained great momentum, especially among the disenchanted youth of our affluent middle class. The soul — or in Jungian terms, the “anima”— is leading the sophisticated and colorless (white!) intellect to a level of consciousness at which man can again operate in tune with the vast process of the biosphere and recover the simplicity and the inner peace which city life and business deny.

At this third stage of the twenty-fourth five-fold sequence the situations presented in the two preceding symbols can be seen combined and projected into a possibility of dramatic transformation. What is shown here is an emotional and warm commitment to the RETURN TO NATURE which today appeals so strongly to the new generation, but which Jean Jacques Rousseau, many great Romanticists and Gauguin long ago advocated and exemplified.


PHASE 119 (CANCER 29°):  A GREEK MUSE WEIGHING NEW-BORN TWINS IN GOLDEN SCALES.

KEYNOTE: The intuitive weighing of alternatives.

This symbol seems to show that the “return to nature” pictured in the preceding symbol is only one of two possibilities. Somehow the repolarization of consciousness and life activities implied by that symbol may be more a dream or ideal than a practical reality. In any case, at this stage in the process of individualization two ways are open. The individual person may hesitate before making his decision. His “intuition” (the Muse) is able to show him what the choice is. Perhaps there can be a way of combining the two alternatives. But, as the next symbol implies, the one which in the end has the greatest appeal may not be the “nature” way. The “white boy” may rather bring the “Indian girl” to the city, as in Pocahontas’ life story.

The fourth stage of this sequence of symbols reveals to us the pro and con operation of the mind when faced with a vital decision. Because it is the “Muse” that is doing the weighing, it is apparent that forces deeper or higher than the intellect are actually at work — the intuitive mind, or what Jung calls the “anima,” i.e. the psychic function which relates ego-consciousness to the collective Unconscious. What we see happening, at the very threshold of a new cycle, is an INNER PRESENTATION OF ALTERNATIVES.


PHASE 120 (CANCER 30°): A DAUGHTER OF THE AMERICAN REVOLUTION.

KEYNOTE: The prestige and conservatism of a long-maintained heritage.

Here we have a symbol of the proud preservation of socio- cultural values in a tradition. After several generations the ancestor who was perhaps a violent revolutionist or rabble-rouser – or even a fugitive from justice – acquires a halo of respectability. The tradition that once was born of revolution now extolls “law and order,” attempting to suppress any new forms of the same revolutionary spirit.

This is the last symbol of the section of the cycle referring mainly to the consolidation and concretization of life urges within a stable form of organization. In many instances the scenes presented picture social activities or events, yet at this stage it is the individual person and the problems attendant upon his development that are primarily considered.

This eighth scene with a keynote of “Consolidation,” began with the study of a traditional symbol for personality integration, the Mandala; it ends with an example of what occurs when the individual chooses a path which totally embodies and glorifies tradition, a path which ends in a GLORIFICATION OF THE PAST.


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