Complete List of the Sagittarius Sabian Symbols

Complete List of the Sagittarius Sabian Symbols

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PHASE 241 (SAGITTARIUS 1°): RETIRED ARMY VETERANS GATHER TO REAWAKEN OLD MEMORIES.

KEYNOTE: The will to reaffirm the value of the struggle upon which civilization and group-achievements are founded.

Two important factors are revealed in this symbol: the men who have come together are Army men, and they are linked by actions and a type of consciousness that have roots in a common past. What we call “civilization” is built by constant struggles against nature, for it seeks to wrench power from nature. This element of power is seen in its most obvious aspect in the military consciousness. Moreover, all civilization is built upon the accumulated products of the experiences of past generations of dedicated men who agree to follow rather rigid procedures of work. Veterans’ groups in all countries seek to rekindle in their members the old fire of well-fought battles; but the type of abstract or religious thinking normally related to the zodiacal sign, Sagittarius, also implies a special kind of “fire.” It is a fire that burns the “now” of natural living in order to build a greater “tomorrow.” It is future-oriented It aspires to produce a greater, wider civilization, even though it finds its roots in the harvest of mankind’s past. Comradeship and group activities are implied, but the togetherness is one of fighting spirits.

This is the first stage of the forty-ninth five-fold sequence of cyclic phases. The symbol should be understood in its widest and most basic meaning, not merely as the reunion of old comrades, but as referring to the very power implied in the process of civilization, as opposed to culture — thus to the PERPETUATION of the spirit of struggle for power.


PHASE 242 (SAGITTARIUS 2°): WHITE-CAPPED WAVES DISPLAY THE POWER OF WIND OVER SEA.

KEYNOTE: The mobilization of unconscious energies under the pressure of super-personal motives.

Wind and sea are in constant interplay, and the results of that interplay are inspiring and beautiful. In symbolism, the wind (pneuma is the early Greek word for “spirit”) is associated with spiritual dynamism; the stirring of deep energies this dynamism produces obeys cosmic or super-personal rhythms, the power of which is irresistible.

At this second stage of the forty-ninth five-fold sequence we have a picture which contrasts the powerful but beautiful storms of nature with the often gory and hysterical crises of a civilization which progresses through war. The picture presented speaks of SUBTILIZATION THROUGH RHYTHMIC INTENSITY.


PHASE 243 (SAGITTARIUS 3°): TWO MEN PLAYING CHESS.

KEYNOTE: The transcendent ritualization of conflict.

Essential to socio-cultural living is the transmutation of man’s natural aggressiveness under most conditions of existence. Many rituals, sports and games have no other basic aim. In chess the complex types of energies which in their togetherness constitute a human person are symbolized by six kinds of pieces (king, queen, bishops, knights, rooks and pawns). The struggle between light and darkness (the Yang and Yin forces) is ritualized, ending in most cases with the checkmating of the king (the ego, the conscious self). In a dualistic world such a contest between polarized forces is omnipresent. The chess game trains men to be more objective, more careful, more aware of whole situations — and less impulsive and intent upon side issues.

This third stage symbol deals with conflict, but at the level of group culture and psychological symbolization. It brings to the objective consciousness the basic realities in interpersonal INTERPLAY.


PHASE 244 (SAGITTARIUS 4°): A LITTLE CHILD LEARNING TO WALK WITH THE ENCOURAGEMENT OF HIS PARENTS.

KEYNOTE: The natural assistance of superior powers during crises of growth.

At an early stage in its development, every living organism must make an attempt to overcome the power of gravitation, or rather to learn to use it in order to fulfill the purpose of its life. This implies passing through a critical state of growth — growth in freedom, potency and individuality, inasmuch as “walking” always symbolizes self-induced progress. In such a crisis the individual is not left alone. Some more evolved Power and Intelligence watches, encourages and gives examples to be followed.

As usual, this fourth stage symbol in the forty-ninth sequence gives a hint of technique. It presents a picture of the conditions under which a RESOLUTION OF CONFLICT can be ensured, whether at the organic, the personal or the super-personal level of unfoldment.


PHASE 245 (SAGITTARIUS 5°): AN OLD OWL SITS ALONE ON THE BRANCH OF A LARGE TREE.

KEYNOTE: A poised and wise approach to existence based on a clear perception of unconscious factors and their operation.

The owl has always been a symbol of wisdom, and its hooting call has evoked a rise to mysterious and hidden elements in life. The owl functions lucidly in the night aspect of existence. His eyes see what men normally fail to perceive. He represents that consciousness which is active where the processes of life normally escape the attention of the personal ego and its intellect.

This is the last of the five symbols in the forty-ninth sequence. It suggests the possibility of developing a wisdom beyond tragedy, a peace and poise beyond conflict. One might speak here of TRANSLUCIDITY.


PHASE 246 (SAGITTARIUS 6°): A GAME OF CRICKET.

KEYNOTE: The development of skill in group-situations testing collective goals.

Any society is built on the interplay between groups of people, each group united by an at least temporary aim. The individual person within the group is assigned a particular role in the play; and definite rules have to be obeyed. The game teaches not only personal skill, but fairness and cooperation. Where this symbol is found, the value of making individual-will or ego-will subservient to collective cultural patterns is emphasized. Several symbols belonging to Scene Seventeen (Sagittarius) relate to games or group rituals, because these are “ab-stracted” from everyday social behavior and used as educative means to develop group-consciousness and an individual sense- of responsibility to the group.

This is the first symbol of the fiftieth five-fold sequence. It refers to the importance of developing GROUP SOLIDARITY.


PHASE 247 (SAGITTARIUS 7°): CUPID KNOCKS AT THE DOOR OF A HUMAN HEART.

KEYNOTE: A stirring-up of individual longings for romantic love.

In contrast to the preceding, this symbol refers to what one might call a personal initiation through an ideal love. Far from being related to social value, ideal love tends to exalt individual characteristics in that it glorifies what seems able to fill poignant and often unconscious needs. Such a love is a projection of the anima or animus Images which in a sense complement the outer character of the one who loves. It is a subjective event which tends to bring to the lover a crisis or emotional chaos. Such a love often turns asocial if not antisocial and is blocked or frowned upon by society.

This second stage symbol is in direct opposition to that of the “cricket game.” Intensely romantic love knows no rules and ignores collective purpose or dictates of reason. Yet it may bring to the individual an intensity of feeling which no group togetherness can arouse, at least at the ordinary social level. What is implied is a challenge to EMOTIONAL REBIRTH.


PHASE 248 (SAGITTARIUS 8°): WITHIN THE DEPTHS OF THE EARTH NEW ELEMENTS ARE BEING FORMED.

KEYNOTE: The alchemical fire which both purifies and transforms the very substance of man’s inner life.

Forces are at work in the deepest layers of the psyche which in their own way respond to the outer stimulation produced by a strong involvement in group ambitions and emotions, and even more by the powerful tensions and releases of love. An alchemical process goes on, usually unnoticed by the conscious ego, until it becomes obvious that a kind of mutation has taken place and a new level of awareness and of responses to life has been reached.

At this third stage of the five-fold sequence we deal with both the basic rhythm of growth of the human being and the reaction to more individualized experiences which aroused the emotions. The very substance of the person’s nature undergoes modifications, on the basis of which a new step may be taken. The symbol draws our attention to the inner changes. We have to become aware of them. What is implied is a kind of PSYCHIC GESTATION.


PHASE 249 (SAGITTARIUS 9°): A MOTHER LEADS HER SMALL CHILD STEP BY STEP UP A STEEP STAIRWAY.

KEYNOTE: The need in any social situation to assist the less evolved in their management of the problems which society requires its members to solve.

A staircase does not present a natural difficulty to a very young child. Man builds stairs and therefore is responsible for assisting the child to climb them step by step. Social and cultural living is not “natural.” The child must first be taught by example, then helped along as he imitates as well as he can the grownup’s behavior. Climbing stairs is only an illustration of a general process. Every generation must involve itself in teaching the next even the simplest skills needed for social existence.

At the fourth stage of the preceding five-fold sequence we saw parents encouraging a little child to walk. Walking is a natural human function; climbing stairs is a skill made necessary by the building of several-storied houses — a product of civilization. What is implied here is SOCIAL CONCERN for the less evolved of society’s members.


PHASE 250 (SAGITTARIUS 10°): A THEATRICAL REPRESENTATION OF A GOLDEN-HAIRED GODDESS OF OPPORTUNITY.

KEYNOTE: Society’s efforts at dramatizing the greatness of what it offers to the ambitious person.

Civilization as a process demands the goading of individuals to spend their vital energies in the pursuit of achievements which, while fulfilling the individual’s ambition and greed, nevertheless generate various forms of what we call “progress.” This sequence of symbols mainly refers to the drive for advancement along “human, all too human” paths of growth.

This is the last symbol of the fiftieth five-fold sequence. We see in it how socio-cultural forces operate by dramatization and propaganda. The result is all too often a process of FORCED GROWTH.


PHASE 251 (SAGITTARIUS 11°): IN THE LEFT SECTION OF AN ARCHAIC TEMPLE, A LAMP BURNS IN A CONTAINER SHAPED LIKE A HUMAN BODY.

KEYNOTE: The value of the “return to the body” advocated by modern thinkers in order to balance the stress on intellectuality and objective consciousness.

This sequence of five symbols confronts us with rather mysterious images, which nevertheless can be given very profound and important meanings for today. The original formulation of this symbol spoke of “physical enlightenment,” but what seems to be implied, in contemporary terms, is the need to rely upon “the wisdom of the body” of which so much is made in sensitivity training and Gestalt psychotherapy. This refers to the process of deconditioning a consciousness that has become a prisoner of intellectual concepts with their total reliance on quantitative values, objectivity and conformity to the official patterns of our culture.

This represents the first stage of a challenging process — the fifty-first sequence of five symbols. It stresses the importance, for many individuals, of RELYING UPON ORGANISMIC RESPONSES in meeting life’s challenges.


PHASE 252 (SAGITTARIUS 12°): A FLAG TURNS INTO AN EAGLE; THE EAGLE INTO A CHANTICLEER SALUTING THE DAWN.

KEYNOTE: The spiritualization and promotion of great symbols of a New Age by minds sensitive to its precursory manifestations.

In the background of this strange allegory we can recognize the deep-seated belief that the American nation and its basic democratic institutions were constituted to be the cradle for a new step in human evolution. The “flag” is the abstract symbol of the nation; it becomes an “eagle” — another U.S. symbol — when the concept is made alive by bold and transcendent action. The eagle symbolizes spiritual will and the power to rise to the highest possible altitude of consciousness and purpose. Flying at such an altitude, the eagle is the first living creature to perceive the rising sun. Having perceived it, it heralds it — and by so doing is identified with the crowing chanticleer, who had convinced himself that his resonant cry was responsible for the rise of the sun and the coming of a new day.

This second stage symbol contrasts with the first in that it is completely future-oriented. It speaks of “peak experiences” instead of the wisdom found in the organismic depth of the body- consciousness. It urges us to bring our noblest ideals to actual life through the power of the spiritual will. A Keyword might be ANNUNCIATION.


PHASE 253 (SAGITTARIUS 13°): A WIDOW’S PAST BROUGHT TO LIGHT.

KEYNOTE: The karma of past actions as it affects opportunities presented by a new cycle.

What the “widow’s past” is remains obscure but the point is that even as a past cycle is closed — a phase of married life ends — the karma of whatever deeds or misdeeds this cycle witnessed will almost inevitably intrude into the new life period. Also, once a cycle of activity is concluded, much that was unclear or unconsciously motivated in the events it witnessed can now more easily come to the clear consciousness of the mind. It is possible to joyously herald the dawn from high above the actual stresses of existence (the preceding symbol), but the new day may be found loaded and darkened by the unfinished business of many a yesterday.

This is the third stage of the fifty-first five-fold sequence. Mankind is “the widow,” because our soon-to-be-concluded Piscean Age has buried most of the ideals it once revered and proclaimed. Yet the New Age will have to deal with many oppressive ghosts. This is a symbol of RETRIBUTION.


PHASE 254 (SAGITTARIUS 14°): THE GREAT PYRAMID AND THE SPHINX.

KEYNOTE: The enduring power of occult knowledge and of its quasi-divine Custodians, “Seed-men” of a previous cycle of existence.

The belief in an Original Tradition based on the perfect knowledge of the archetypal principles and forms which underlie all manifestations of life on this Earth (and by extension in the cosmos) is deeply rooted in man’s consciousness. The Great Pyramid and the Sphinx are witnesses to such a Tradition, especially for the Western world. The symbol implies that such an archetypal knowledge remains the foundation upon which men’s minds can still build solid and valid formulations, as new evolutionary developments are pending. This fourth stage symbol suggests that this occult knowledge and the traditional process of acquiring it is still available, and that by accepting their principles modern man can best meet the challenge of our present world crisis. The symbol, interpreted from a personal point of view, points to the greatness of a Soul’s past achievements and the value of trying to re-evoke this past. What is revealed is THE POWER OF SPIRITUAL ANCESTRY.


PHASE 255 (SAGITTARIUS 15°): THE GROUND HOG LOOKING FOR ITS SHADOW ON GROUND-HOG DAY, FEBRUARY 2.

KEYNOTE: The value of anticipating new turns of events and ascertaining future prospects.

In our modern industrial society where policy changes and decisions often take several years to reach full actualization, it has become essential to plan with an eye on probable future developments. Such planning requires a study of past trends and the extrapolation of the results. What above all is implied in the symbol is a sensitivity to social or planetary rhythms, and the need to ensure at least relative safety by planning ahead.

This is the last symbol in this fifty-first sequence. Something of the meanings of the first four is involved in the process it suggests. In its highest form the knowledge required is “eonic consciousness” — in modern terms the new science of PROSPECTIVE.


PHASE 256 (SAGITTARIUS 16°): SEA GULLS FLY AROUND A SHIP IN EXPECTATION OF FOOD.

KEYNOTE: The easily acquired dependence of psychic desires upon the stimulation of social circumstances.

Animals drawn into the circle of what human society produces find it easier to depend on man’s handouts than to pursue their usually difficult search for sustenance. The sea gulls here symbolize the more wild and normally untamable energies of the human soul, but they too can develop a land of domesticated dependence upon the by-products of man’s adventures within the realm of the unconscious (the sea). Natural instincts feed on the reactions, and often perversions, of the socially conditioned mind-ego.

This is the first stage in the process represented by the fifty-second sequence of five symbols. It shows us how nature can readily become subservient to man’s restless ambition to dominate the entire biosphere through an all-human planetary socioeconomic organization. This is a symbol of DEPENDENCE.


 PHASE 257 (SAGITTARIUS 17°): AN EASTER SUNRISE SERVICE DRAWS A LARGE CROWD.

KEYNOTE: The culturally stimulated longing for group participation in a process of rebirth.

Since the very early days of man’s evolution, religions and cults of various types have used the most significant periods in the year’s cycle to dramatize the deepest longings of human nature, thus giving them direction, meaning, and through group action, a greater dynamic intensity. Easter is the Christian way of celebrating the coming of spring and the rebirth of life on this earth after the hardships of winter.

At this second stage of the five-fold sequence we see, in contrast to the first, man discovering in nature’s cycles great movements that stimulate his spiritual quest for the psychic and mental equivalent of solar light and warmth. The obvious Keyword here is REBIRTH.


PHASE 258 (SAGITTARIUS 18°): CHILDREN PLAYING ON THE BEACH, THEIR HEADS PROTECTED BY SUNBONNETS.

KEYNOTE: The protection society affords to as yet immature individuals as they begin to deal with the powerful energies of their unconscious nature.

What we call “culture” is an attempt to limit and define the areas of consciousness and interpersonal or group behavior within which growth and exploration into super-physical realms can be considered safe and sound. Sun and sea are powerful forces; they can kill as well as illumine and inspire, as can various kinds of forces within man’s unconscious. The cultural and religious institutions of society aim to act as protective agencies, especially for the youth. Overprotection and hypocritical behavior by supposed grownups defeat this purpose, and today we are witnessing an at least partially healthy rebellion against the protective paternalism of social institutions. This, however, does lead to many a symbolic “sunstroke.”

This is the third symbol in the fifty-second five-fold sequence. It brings to us a realization of the value of PROTECTIVENESS, yet also evokes the negative possibility that too much protection may be unhealthy and defeat its purpose.


PHASE 259 (SAGITTARIUS 19°): PELICANS MENACED BY THE BEHAVIOR AND REFUSE OF MEN SEEK SAFER AREAS FOR BRINGING UP THEIR YOUNG.

KEYNOTE: The need for people concerned with the future to discover a new way of living and more wholesome surroundings.

The evident reason for using “pelicans” at this stage of the cyclic process is that tradition tells us that these birds are so concerned with their young that they give their own blood and flesh to feed their progeny. Whether this is fact or symbol, the meaning of this picture refers to a situation that lately has acquired great urgency. Our technological society is polluting not only our global environment, but the mind and feeling-responses of new generations as well. The search for a new way of life is seen by many people to be imperative.

In this fourth symbol of the fifty-second sequence we are told that the race’s SURVIVAL has become a matter of extreme importance. Whole animal species may be destroyed by our civilization; mankind itself is in danger. Going to distant planets is hardly the answer. A generation may have to sacrifice itself for the sake of its descendants.


PHASE 260 (SAGITTARIUS 20°): IN AN OLD-FASHIONED NORTHERN VILLAGE MEN CUT THE ICE OF A FROZEN POND FOR USE DURING THE SUMMER.

KEYNOTE: The foresighted use of natural resources to supply future needs.

At the close of this series of symbols we again see a reference to the relationship between man and nature. Man’s ingenuity and foresight make it possible for him to plan for the future in terns of his knowledge of the seasonal rhythm of cold and heat and, by implication, of even larger cycles of change. Quiet and relaxation may have to be sacrificed, and some hardships endured, in order that another type of problem, which may involve survival though proper feeding, may be met at some later time.

This is the fifth and last phase in the fifty second section of the cycle. It stresses the value of actively planning for future need, and of foresight based on the knowledge of cyclic processes. Keywords: ASSURING SUPPLY.


PHASE 261 (SAGITTARIUS 21° DEGREE): A CHILD AND A DOG WEARING BORROWED EYEGLASSES.

KEYNOTE: The use of imagination and make-believe in anticipating higher stages of development.

This rather peculiar symbol seems to imply here that by imitating features belonging to a level of consciousness as yet unreachable, the process of growth may be accelerated. Eyeglasses symbolize intellectual development; the chiefs of primitive tribes in some instances have sought to impress their people by wearing spectacles without glass, or western hats – simply because these objects seemed characteristic of a race of superior people. This is similar to the process of growth by identification with a ‘Master’ or guru. In a sense it is mere pretending or make-believe, yet wearing the ‘mask’ of a god the medicine man at the time becomes for all practical purposes the incarnation of the god. Growth is always a hierachical process, even if the growing entity is not aware of it.

This is the first of five symbols constituting the fifty-third sequence. It suggests the value of LEARNING THROUGH IMITATION.


PHASE 262 (SAGITTARIUS 22°): A CHINESE LAUNDRY.

KEYNOTE: Making use of one’s special racial-cultural background in order to survive and prosper in an alien environment.

There are many life situations in which because on one’s ancestral or personal background, or their special interests, and individual finds themselves separated from the people in the midst of whom they have to live. Yet they often can use this background a valuable foundation for smooth operation and acceptance by the alien environment, without losing their own natural character.

This second stage symbol stands in contrast to the one for the first stage. There is no longer a question of imitating the ways of a superior group, but instead of maintaining one’s own integrity in situations which neither give value for, not favour what one basically is. What is asked here is SELF-CONTAINMENT…and good humour!


PHASE 263 (SAGITTARIUS 23°): A GROUP OF IMMIGRANTS AS THEY FULFILL THE REQUIRMENTS OF ENTRANCE INTO THE NEW COUNTRY.

KEYNOTE: Consciously accepting the ways of a new stage of experience, in readiness for the opportunities it will present.

As we pass any threshold leading to a new realm of existence we have to meet certain requirements and the necessity to adjust to new ways of life – in action, thought and feeling. At times this may seem an ordeal but it is inevitable. Everything that will follow depends largely on how we cross this threshold, and on the spirit in which we meet unfamiliar and perhaps shocking experiences.

At this third stage of the fifty-third five-fold sequence we face a combination of the two preceding symbols. We find ourselves in a period of TRANSITION. We have to imitate, yet retain our inner integrity.


PHASE 264 (SAGITTARIUS 24°): A BLUEBIRD PERCHED ON THE GATE OF A COTTAGE.

KEYNOTE: The reward which meets every effort at integrating into a social environment for those who remain true to their own selves. 

The bluebird is a symbol of happiness, but also it refers to what one might call a spiritually oriented mind – to which the color blue relates, especially when a ‘bird’ is mentioned. A cottage is normally a part of a community, and the implication is that its inhabitant are well-adapted, either to the life of the community, or to their’ more or less isolated togetherness.

This is a fourth stage symbol, and it suggests that the essential technique for successful living is the development of a consciousness in which peace and happiness dwell. There is also a hint that GOOD FORTUNE is going to bless your life.


PHASE 265 (SAGITTARIUS 25°): A CHUBBY BOY ON A HOBBY HORSE.

KEYNOTE: The anticipatory enjoyment of powers one can only as yet dream of utilizing.

The horse has always been a symbol of power and, in many instances, of sexual energy. Until very recently the horse gave people a greater possibility of conquering more space and what that space contained. Mounted on his hobby horse and experiencing the to-and-frow rhythm of its motion, the well-fed boy unconsciously, and perhaps nowadays half-consciously, may anticipate the rhythm of the sexual act. In a sense it is also a kind of make-believe and growth through the imagination, but here – in contrast to what was shown in the symbol for Phase 261 – the imagination is active at the organic body level. There is something of an initiation in the play.

This is the last symbol of the fifty-third sequence of five. It ends in a mood of play, but it is a play filled with cultural expectation, unconscious though this expectation may be. We see here the FORSHADOWING of the mature experience of man/womanhood.


PHASE 266 (SAGITTARIUS 26°): A FLAG BEARER IN A BATTLE.

KEYNOTE: The nobly accepted subservience of the individual to collective values and goals.

A flag symbolizes an organized collectivity of human beings, a nation or even a social class. In the old-fashioned type of battle, whoever carries the flag has to feel himself the representative of the integrity and unity of his group. His personal life and his welfare should therefore be totally submerged in and identified with the welfare of the “greater Whole” of which every person can act as a conscious and responsible agent for mankind. In substance, the symbol asks: “Are you ready to assume this role!”

This first stage of the fifty-fourth five-fold sequence presents a picture of what social consciousness can mean in its highest implications. The flag-bearer is unarmed, defensless; yet he can be the rallying point for the total effort of a large collectivity. This is a symbol of CONSECRATION TO AN IDEAL.


PHASE 267 (SAGITTARIUS 27°): A SCULPTOR AT HIS WORK.

KEYNOTE: The ability to project one’s vision upon and to give form to materials.

At this stage we see the individual creatively expressing his own particular individuality. He takes the materials available in his social-geographical environment and shapes them so they reveal to other people something of his inner life and purpose.

This second phase in the fifty-fourth sequence is, as usual, in contrast to the first. The “flag bearer” symbolizes the selfless representative of a collective tradition or of national unity; the “sculptor,” on the contrary, represents man as a creative individual intent on making his mark upon society. This is a symbol of man’s capacity to transform raw materials according to his personal vision — thus a symbol of SELF-PROJECTION INTO A WORK.


PHASE 268 (SAGITTARIUS 28°): AN OLD BRIDGE OVER A BEAUTIFUL STREAM IS STILL IN CONSTANT USE.

KEYNOTE: The enduring elements in a society which reveal its ability to significantly link the genius of its individuals to the everyday needs of the collectivity.

This symbol brings together, as it were, the essential values implied in the two preceding ones. The mastery over material factors of a few imaginative and trained individuals enables their community to remain well-integrated and able to function easily in the best possible environment. The work of these sculptor-engineers allows their people to develop a relatively permanent culture. A tradition is built which enables men to link their outer nature with the highest vision their leaders can conceive and objectively demonstrate.

This third symbol of the fifty-fourth sequence also suggests the way in which the works of man can blend harmoniously with natural environment in producing beautiful and enduring shapes of profound meaning. Reacting against the ugliness of our commercial and chaotic cities and highways, today we tend to long for “wilderness.” But the combination of natural beauty and human skill and imagination is the true ideal to strive for. As Keywords we might use the title of an excellent book by the architect Claude Bragdon: THE BEAUTIFUL NECESSITY.


PHASE 269 (SAGITTARIUS 29°): A FAT BOY MOWING THE LAWN OF HIS HOUSE ON AN ELEGANT SUBURBAN STREET.

KEYNOTE: The need to attend to everyday tasks which both ensure social worth or respectability, and benefit one’s constitution.

This rather trivial picture becomes quite significant if related to the preceding three symbols. It brings down to a very concrete and commonplace level what the “flag bearer” and the “sculptor” symbols have presented. A well-attended front lawn is a symbol of the homeowner’s concern for his social position, and of his desire to give beautiful form to the growth of natural forces, thus revealing his appreciation of order and esthetic values. The “fat boy” suggests that constructive working habits are needed to compensate for self-indulgence in the amenities of social living.

This fourth stage symbol speaks of one of the commonplace technical imperatives which face an individual belonging to a social elite. It reveals another phase in the cycle relationship between the individual and the community, and the need to maintain SOCIAL RESPECTABILITY.


PHASE 270 (SAGITTARIUS 30°): THE POPE, BLESSING THE FAITHFUL.

KEYNOTE: The need to pay homage to traditional values upon which the Invisible Community of the spirit is built.

The concrete integration of myriads of human individuals within a great religious institution with a long tradition reflects, as well as having produced century after century, an invisible spiritual Community. The “flag bearer” has now become the “Pope,” who assumes the role of God’s representative on earth. It is a role, but culture is based on embodying great Images and deeply moving symbols in physical reality. The symbol asks of the individual: “Are you willing to live a transpersonal life as a symbol?” This is the final and supreme statement of that section of the cycle of the year represented by Sagittarius.

This concludes Scene Eighteen. A collectivity of human beings is seen having “transferred” their sense of spiritual value to a man who has become an incarnation of their common ideal. Keywords: PERSONALIZED WORSHIP. It can be a blessing or in some cases, a curse.


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